I have a comprehensive choice of lenses ,(25 and counting!), from the new Canon cine zoom to primes and Canon L series zooms giving you plenty of choice for your shoot. I also now have a Vocas Sony E Mount to PL adaptor to enable me to shoot with PL cine primes such as Superspeeds and Ultraprimes on my FS7. So whether it be a drama or a documentary I have a lens to do the job you require.
Canon CN-E 18-80mm T4.4 cine zoom lens
A fantastic new lens from Canon that can be used with either my C300, FS7 and A7SII. With the 2K centre crop function on the FS7 the lens can also become a 36-160mm lens.
Canon L Series Zooms and Prime Lenses
8-15mm f/4 16-35mm f/2.8 24-70mm f/2.8 24-105mm f/4 70-200mm f/2.8 70-200mm f/4
50mm f/1.4 85mm f/1.8 100mm f/2.8 (macro) 24mm TS-E f/3.5 (tilt-shift lens) 2 x extender tube
Samyang Prime Lenses
extremely fast at T1.5
14mm T 3.1 24mm T 1.5 35mm T 1.5 50 mm T1.5 85mm T1.5
Tokina 11-16mm f/2.8 extremely wide and sharp rectalinear lens
Nikon Prime Lenses. These have been cinevised with de-clicked apertures and all have Canon EF mount adaptor. They are all fast and have a lovely vintage look. Some of the lens are over 30 years old.
16mm f/2.8 24mm f/2.8 35mm f/1.4 50mm f/1.4
85mm f/2, 105mm Macro f/2.8 135mm f/2.8 180mm f/2.8
Lensbaby Composer with sweet 35 lens and Lensbaby Control Freak tilt shift effect lenses
All my cameras have either Arri, RedRockMicro or Tilta rigs, matte boxes and follow focus kits
I have various manual follow focus units such as the Arri MFF2 the remote follow focus kit from DJI, great for using with the DJI Ronin or on jibs etc