I have a comprehensive choice of lenses ,(25 and counting!), from the new Canon cine zoom to primes and Canon L series zooms giving you plenty of choice for your shoot. I also now have a Vocas Sony E Mount to PL adaptor to enable me to shoot with PL cine primes such as Superspeeds and Ultraprimes on my FS7. So whether it be a drama or a documentary I have a lens to do the job you require.
Canon CN-E 18-80mm T4.4 cine zoom lens
Canon CN-E 70-200mm T4.4 cine zoom lens
I now own both of these fantastic new ine clenses from Canon that can be used with either my C300, FS7 and A7SII. With the 2K centre crop function on the FS7 the lenses can also become a 36-160mm and a 140-400 mm respectively. They are designed to colour match with all Canon’s other cine lenses such as the CN-E prime set.
Canon L Series Zooms and Prime Lenses
8-15mm f/4 16-35mm f/2.8 24-70mm f/2.8 24-105mm f/4 70-200mm f/2.8 70-200mm f/4
50mm f/1.4 85mm f/1.8 100mm f/2.8 (macro) 24mm TS-E f/3.5 (tilt-shift lens) 2 x extender tube
Samyang Prime Lenses
extremely fast at T1.5
14mm T 3.1 24mm T 1.5 35mm T 1.5 50 mm T1.5 85mm T1.5
Tokina 11-16mm f/2.8 extremely wide and sharp rectalinear lens so no bending walls or uprights!
Nikon Prime Lenses. These have been cinevised with de-clicked apertures and all have Canon EF mount adaptor. They are all fast and have a lovely vintage look. Some of the lens are over 30 years old.
16mm f/2.8 24mm f/2.8 35mm f/1.4 50mm f/1.4
85mm f/2 105mm Macro f/2.8 135mm f/2.8 180mm f/2.8
Sony E -mount 28mm f/2 full frame lens. Great lens to use with my SOny A7S2 when on one of my Ronins
Lensbaby Composer with sweet 35 lens and Lensbaby Control Freak tilt shift effect lenses
All my cameras have either Arri, RedRockMicro or Tilta rigs, matte boxes and follow focus kits
I have various manual follow focus units such as the Arri MFF2 the remote follow focus kit from DJI, great for using with the DJI Ronin or on jibs etc